Remains of the day Essay Example For Students

Remains of the day Essay What history is to a nation, memory is to the individual. Both serve to locate us, to tell us who we are by reminding us of what we have been and done. And both, as Kazuo Ishiguro suggests, are open to selection, repression and revision. The Remains of the Day, Ishiguros third novel, examines the intersections of individual memory and national history through the mind of Stevens, a model English butler who believes that he has served humanity by devoting his life to the service of a great man, Lord Darlington. The time is 1956; Darlington has died, and Darlington Hall has been let by an American businessman. As Stevens begins a solitary motor trip to the west country, traveling farther and farther from familiar surroundings, he also embarks on a harrowing journey through his own memory. What he discovers there causes him to question not only Lord Darlingtons greatness, but also the meaning of his own insular life. The journey motif is a deceptively simple structural device; the farther Stevens travels from Darlington Hall, it seems, the closer he comes to understanding his life there. But in Stevenss travel journal Ishiguro shapes an ironic, elliptical narrative that reveals far more to the reader than it does to Stevens. The butler believes, for instance, that he makes his trip for professional reasons, to persuade a former housekeeper, Miss Kenton, to return to Darlington Hall. But through deftly managed flashbacks and Stevenss naive admissions, the reader sees instead that the matter is highly personal: Stevens had loved Miss Kenton but let her marry another man; he now wishes to make up for lost time, to correct the mistakes of his past. More important than that veiled love storybut intimately connected with itis the matter of Lord Darlington, and the degree to which Stevenss sense of self is founded upon his belief in Darlingtons greatness. It becomes clear enough to the reader, though Stevens is long in admitting it to himself, that Darlington had been a political pawn of fascism and the Nazisunwitting perhaps, misguided no doubt, but hardly the great man that Stevens had deceived himself into believing he served. These revelations are made through a delicate and powerful process: as Stevenss journal shifts between travelogue, personal memoir and reflections on his profession, his memory slides continually between Darlington Hall in the ruined, empty present, the height of Darlingtons influence (and Stevenss pride) in the 1920s, and the tense, disturbing pre-war 1930s. Carefully elided from consideration, repressed and hidden, are the war years themselves and their immediate aftermath. We know they are there, of course, and we may guess what they meant at Darlington Hall, but Stevenss memorial archaeology leaves that particular tomb unexcavated. In the end, Stevens must come to some sense of resignation and resolution, both about Darlington and about himself. The source of Stevenss pride is also, after all, potentially the source of his shame. He was willing enough to shine in the light of Darlingtons greatness, and now must either share in his disgrace, orwhat is perhaps more difficultadmit that his own dedicated and deeply considered professionalism has had no real part to play on the stage of world history. Like all great novels, The Remains of the Day is an organic work, its parts perfectly integrated, every scene imaging the whole. In his carefully controlled prose, so perfectly suited to his narrator, in his effortless movement among several different time settings, in his almost magical evocation of simultaneous humor and pathos, Ishiguro proves himself a masterful artist in full command of his elements. And in this novel, those elements combine to form a profound psychological and cultural portrait that reveals the authors great abiding theme: the art and artifice of memoryBibliography: